To Don D’Auria, my editor

Don D'Auria, myself, and a really patchy beard, at BEA 2015 last spring in NYC

Don D’Auria, myself, and a really patchy beard, at BEA 2015 last spring in NYC

Tonight I drink to Don D’Auria.

I rarely drink. I originally planned on having a beer tonight to celebrate the release of my newest supernatural thriller, Sentinels, from Samhain Publishing, where Don was my editor. I say “was” because Don informed his stable of writers he’s leaving the company this Friday. Why and how this came about, I can’t say. Samhain turns 10 years old this month, and for a majority of that time has published romance, lots of it, and has even seen a few of its titles make The New York Times bestsellers list. Don was hired in 2011 to start a horror line, and he’s done so quite ably. Three of his edited works have been nominated for the coveted Bram Stoker award presented by the Horror Writers Association. He discovered a bunch of eventual Bram Stoker-winners during his days with Dorchester Publishing, where my history with him began.

Don plucked me out of Dorchester Publishing’s creaking slush pile in 2010. I’d written a straight crime thriller and Don offered me a small advance to make the book part of Dorchester’s Leisure line. I agreed, and then promptly saw the deal collapse—and Don laid off—a few months later because Dorchester went bankrupt. I stayed in touch with Don and heard he’d landed with Samhain. I couldn’t follow him there because my book wasn’t horror, but I kept him in the back of my mind, and when I got the idea for my Krampus novel, The Dark Servant, in 2012, he was the first guy I emailed—Don’s primary method of communication. He expressed a few concerns, nothing major, and was enthusiastic to see what I could do. He encouraged me to write, making no promises, and to send him some sample chapters. A line from his email, which I saved: “I have no doubt the book will be well written, unless you’ve had some serious head injury you haven’t mentioned.”

Don believed in me, and that was important. And what I’d hoped to have happen in February 2011 (a book with Dorchester) happened a few years later in December 2014 (a different book with Samhain). And I’m eternally grateful to have earned Don’s trust. He’s easy to work with, states up front his concerns about a character or a plot point. And he’s an exceedingly nice man. I was fortunate enough to attend BEA 2015 in New York just this past spring, and Don was there. We caught up, discussed horror, the publishing industry in general, and it was simply nice to finally see, after five years, the first editor to appreciate my work and offer to pay me for it.

So what now? Here’s my message to the Big 5 publishers: Hire this man. He knows what he’s doing and will bring talented authors with him. I’m not the only author who’s reeling upon learning about his unexpected departure. But I’m also not the only author who believes that Don will land somewhere else and succeed. I have a feeling I’m going to work with him again.

My beer is Michelob Ultra. Don’s apparently a martini fellow. (Sorry, I can’t do that.) But I will be drinking my beer tonight and celebrating two published novels, and an upcoming Krampus novella, Twelfth Krampus Night, which drops in December. I’m proud to say Don D’Auria helped make them happen.

I have a bookshelf of Samhain Horror works by Jonathan Janz, John Everson, Tamara Jones, Brian Moreland, Hunter Shea, and Glenn Rolfe, and I’ll be adding more in the months ahead. (Russell James, Ron Malfi, you’re on notice.) And tonight I’ll drink to all of them and to the man who edited them—Don D’Auria, who gave me my start. Cheers.

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2 comments

  1. Great post. You’re so lucky to have met him in person–I haven’t had the opportunity yet. Don is a great guy with a stellar reputation. It’s a sad day, but I have faith he will land on his feet.

    Still, very sad times right now.

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